3D CGI artist. likes animation, music, comics and mind maps. I keep an Animated Journal (http://bit.ly/1SkMFQ) & I'm on Google Reader (http://bit.ly/48vJ1G)
prostheticknowledge: Relief Animation installation by Julien Maire uses a projector and a set of frames which are 3D printed models: Stereolithographic projections & Expansion/Contraction sculptures Media Archaeology is a new science. It’s not studying the history of cinematograph and gramophone, but how our perception of the world is transformed through the camera lens and the speaker. The audiovisual is like a soundtrack, a visual tracking shot moving in parallel to us; pictures and sound are visual fictions that moved away from reality, but disrupt and influence our relation to reality. In French, “3D cinema” was also called “relief cinema” (relief as in “relief map” or “bas-relief”). The term went out of style when we were forced to admit that “relief cinema” didn’t exist. “Relief” evokes materiality, while “3D” is commonly understood as a mathematical and computational concept. Julien’s stereolithographic projector is indeed a conceptual game around 3d cinema, this old myth...
- Paul Greer
“More importantly, we need a quota of MPs who (shock) have not been to university but have worked on the shop floor of key industries; have had life experiences that reflect their constituents’; who actually represent the country rather than just a narrow idea of what a politician looks like. The ridiculousness of objections to quotas would become clear if you were to suggest that, instead of calling it affirmative action, we adopted “Proportionate Default Man Quotas” for government and business. We are wasting talent. Women make up a majority of graduates in such relevant fields as law.”
- New Statesman | Grayson Perry: The rise and fall of Default Man
- Paul Greer
RT @simonbellbrizzl: Great work on #HumanUniverse @BDHtweets . Like to think you are all up there monitoring TX from that fab space station? No... don't spoil it